woodworking Archives - Woodcarving Illustrated https://woodcarvingillustrated.com/tag/woodworking/ Everything for the woodcarving enthusiast, from tips and techniques and tool reviews to patterns and instructions for amazing projects that both beginners and advanced woodcarvers will love! Thu, 22 Jun 2023 18:24:45 +0000 en-US hourly 1 https://wordpress.org/?v=6.9 https://woodcarvingillustrated.com/wp-content/uploads/2025/12/cropped-Woodcarving-Illustrated-Favicon-120x120.png woodworking Archives - Woodcarving Illustrated https://woodcarvingillustrated.com/tag/woodworking/ 32 32 Building a Carver’s Frame https://woodcarvingillustrated.com/building-a-carvers-frame/ Thu, 15 Jun 2023 14:29:05 +0000 https://woodcarvingillustrated.com/?p=22344 Shop-made holding fixture allows you to carve anything outdoors By...

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Shop-made holding fixture allows you to carve anything outdoors

By Ralph Beam

Illustrations by Paul Modlin 

I wanted to carve outside in nice weather but needed a way to secure the blanks in a unit light enough to move from the yard to the garage. I read an article about shop-made holding devices by Roger Schroeder in Woodcarving Illustrated Summer 2006 (Issue 35) that described a carver’s frame made by John and Nancy Burke that fit my needs. The Burkes made their frame from steel and large pieces of wood that made it too heavy to move around. I used the basic concept of the Burke frame to make a smaller one out of lighter construction-grade wood that can be secured to the ground with tent stakes.

This carver’s frame offers several options for securing work for in-the-round or relief carving. It has an added shoulder vise screw device to secure pieces vertically. The screw can also be flipped around to secure pieces to the bench. Use hanger bolts with washers and wing nuts or carver’s screws through the table, or attach a board to the vertical board for an in-the-round piece. This lets you rotate the piece to change your carving angle. Use clamps to hold flat relief-carving blanks to the table. Like any carving bench, you can add holes for bench dogs and clamps to secure work or to hold tools. You can clamp walking sticks or longer pieces of wood directly to the vertical board. After creating your carver’s frame, try carving a rustic wooden cup or a dozen!

Getting Started

Cut the stock to length using the parts list and diagrams as guides. I use a miter saw. Several pieces have angles cut on the ends; use the drawings to make sure you angle the ends properly. Drill the holes marked on the drawings. Then, apply a waterproofing finish to the pieces. This allows you to leave the main structure of the frame outside; I suggest you bring the press screw and any other metal hardware inside.

 

TIP: Screwing in Hanger Bolts

To screw in hanger bolts, tighten two nuts against each other. Use a wrench on the top nut to turn the hanger bolt into the table.

 

Assembling the Frame

Use the assembly drawings as guides to assemble the stand. Drive the table bolts (P) about 3 1/2″ (89mm) into the edge of the press screw mount (H) and clamping tables (I, J) (see Tip). To make it easy to drive the screws at an angle through the table brace (C) into the back table (G), drill pilot holes slightly smaller than the diameter of the screws. Follow the manufacturer’s instructions to mount the press screw.

 

 

Using the Frame

Secure the frame to the ground using heavy-duty shepherd-crook-shaped tent stakes. To use the press screw, insert the table screw through the hole of your choice in the upright and lock it in place with the wing nut.  Use the size of the carving to determine where to position the clamping table, and lock it in place with the wing nut. Then, secure the carving with the press screw. Use the other clamping table with a hanger bolt or carving screw to secure an in-the-round carving. Use the back table to secure in-the-round carvings or relief carvings using the press screw mounted on the other side of the upright or with ordinary clamps.

 

MATERIALS

• Construction 2x4s: 2 each, 8′ (2.44m) long

• Construction 2x6s: 2 each, 8′ (2.44m) long

• Construction 2×10: 8′ (2.44m) long

• Shoulder vise screw: 9″ (22.9cm) long (see Special Sources below)

• Hanger bolts, 3/8″ (10mm) dia.: 3 each, 6″ (15.2cm) long

• Wing nuts, 3/8″ (10mm) dia.: 3 each, with 3″ (76mm) wingspan

• Washers, 3/8″ (10mm) inside dia.: 3 each, 1 1/2″ (38mm) outer dia.

• Exterior deck screws: 1 1/2″ (38mm) long, 2 1/2″ (64mm) long, 3″ (76mm) long

• Shepherd-crook-shaped tent stakes: 2 each

TOOLS

• Saws: miter, circular

• Hand drill with bits: 5/16″ (8mm), 3/8″ (10mm), 7/8″ (22mm) dia.

• Level

SPECIAL SOURCES

An 11 1/2″ (29.2cm)-long veneer press clamp (part number D2893) is available for $16.50 from Grizzly Industrial, grizzly.com, and other online retailers.

Hanger bolts and wing nuts are available for $1.93 each (bolts) and $6.88 each (wing nuts) from MSC, MSCDirect.com.

 

About the Author

Ralph Beam is a retired high school earth science teacher who lives in Mishawaka, Ind., with his wife Kay.
He immersed himself in carving after retiring and joined the Council Oaks Woodcarvers Club in South Bend, Ind.
His carving focus is wood spirits.

 

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Woodcarving Illustrated Spring 2023, Issue #102 https://woodcarvingillustrated.com/woodcarving-illustrated-spring-2023-issue-102/ Mon, 16 Jan 2023 15:54:48 +0000 https://woodcarvingillustrated.com/?p=21898 The Spring 2023 issue of Woodcarving Illustrated includes a variety of projects,...

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The Spring 2023 issue of Woodcarving Illustrated includes a variety of projects, patterns, and features, as well as interesting techniques. This issue is a part of the regular magazine subscription. It is also available from your favorite retailer or from Fox Chapel Publishing, foxchapelpublishing.com or 1-800-457-9112.

Scroll down for a sneak peek!

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In This Issue

Features

Everyday Generosity

Aspen Golann’s love for traditional furniture craft blossomed into a project with legs 

By Kaylee Schofield

Fail-Safe Spoon Carving Tips

Follow these wisdoms to create a safe, rewarding, and personalized carving practice 

By Emmet Van Driesche

Projects

Carving a Bluebird

Hone your power-carving skills on this springtime songbird 

By Randy Conner

Egg Mouse

Transform a basswood turning into a cute little critter

By Steve Kulp

Winged Chain Links

This twist on a carved classic will set your heart aflutter

By Lieve Roelants

Caricature Biker Dude Magnets

Experiment with different personalities on this rough-and-tumble crew 

By Don Worley

Bearly Fits

Create a comical bear and tree from a single piece of wood 

By Dwayne Gosnell

Little Duck

Whittle a feathered friend in just six steps 

By Roxana Cristean 

Woodburned Bunny

A watchful rabbit stars in this lifelike pyro portrait

By Melanie Layne Hylton

Fairy House

Build and paint a whimsical home that opens and shuts 

By Betty Padden

Sun and Moon

Use inlay techniques to make a reversible pendant

By Igor Hršak

Woodland Gnome Ornament

Try your hand at texturing and detailing without having to carve the whole body

By Nikki Reese

Patterns

Granny’s in the Garden

This caricature shows how to make an impression using the art of opposites

By Floyd Rhadigan

Carved Easter Eggs

Easy, cute, and colorful, these starter projects are a great intro to shaping and detailing

By David Young

Pencil Holder

Store assorted office supplies in a classy chip carved container 

By Marty Leenhouts

Cartoon Elephants

Carve a circus of easy pachyderms in under 30 minutes

By Pete Zanauskas

Techniques

Wood Spirit Birdhouse

This practical piece adds humor to any backyard or pollinator sanctuary 

By Chris Hill

Woodland Scene in Relief

Learn to achieve maximum depth with a tableau full of shadows and textures 

By Randall Stoner

Web Extras

Extra Feature  Visit our website to learn the history of lovespoons.

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The History of Romantic Love Carving https://woodcarvingillustrated.com/the-history-of-romantic-love-carving/ Mon, 16 Jan 2023 15:54:40 +0000 https://woodcarvingillustrated.com/?p=21939 Lovespoon carver shares the story behind a traditional token of...

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Lovespoon carver shares the story behind a traditional token of affection

By Dave Western

Throughout Europe from the early 1600s to the turn of the 20th century, it became popular for young men to make and give gifts to the young women who had captured their hearts. The most popular of these was the lavishly decorated lovespoon. It became so synonymous with courtship that the word ‘spooning’ became a popular term. Learn all about lovespoons in the article below and carve your own lovespoon with one of my spoon carving patterns!

Unfortunately, spoons carved for a decorative purpose tend to be lumped together under the all-encompassing label of “lovespoons.” Their uses were often much broader. Some were used prior to actual courtship, merely to gauge mutual interest. These spoons were often modestly carved with minimal decoration. A more ornate spoon requiring significant skill and effort might be carved as a gift once a courtship was underway. A spoon of this nature would serve as something of a resumé, showing off the suitor’s skill, tenacity, and devotion. Falling between the frivolity of the tester type spoon and the seriousness of a courting spoon, the lovespoon was generally a passionately and finely carved offering, given where a positive response was likely but a betrothal wasn’t necessarily expected. They are often more eccentric in design and ornamentation than courting spoons.

 

Since the earliest days of romantic spoon carving, the suitor’s toolkit has consisted of three basic tools.

In the Breton region of France, young men of courting age would often proudly display and use a unique style of spoon known as a ‘festival spoon’ when attending village gatherings or celebrations. These ornately carved and inlaid spoons frequently folded for transport and would be opened ostentatiously to display the young man’s skill as a carver, or (if he had purchased it from a professional) his wealth and prospects. 

Courting spoons would show off a suitor’s abilities.

Actual wedding spoons were specifically designed for use at the matrimonial celebration and were not part of the courtship preamble. Most often, they feature either two bowls joined by a single handle, or two separate spoons united by a length of wooden chain. The newlyweds would use the spoon to eat a first meal together, symbolically uniting two as one. Occasionally, double-bowled joke spoons would be made that featured bowls at unusable or impossible angles to eat from. To the great delight of the wedding guests, the couple would struggle, usually unsuccessfully, to master the spoons and prove to all they were united.

 

Wedding spoons symbolically united a couple by sharing
their first meal together.

Husbands, fathers, and grandfathers may have also carved decorated spoons for female members of their family. Common working tools such as crème spoons, ladles, and even eating spoons were likely gifted in this way and can be difficult to differentiate from spoons with a more romantic purpose.

Generally, to tell historic romantic spoons from their utilitarian cousins, look for symbols such as hearts, inlays, initials, keys or keyholes, comma shapes, and elaborate patterning along the edges of the handle.  

 

 

Even though the tradition of giving carved wooden gifts as love tokens has largely become extinct, the romantic spoon has endured—mainly because it’s a recognizable object that we still use today. Spoons are also small, portable, and straightforward to work, requiring only an axe, a straight knife, and a bent knife or gouge to create.

Romantic carving may no longer be a ‘thing,’ but it’s as valid and relevant as ever, as making a gift for someone you love never goes out of fashion.

 

Want More Spoons?

Great Book of Spoon Carving Patterns

By Dave Western

Item 0151. Available for $19.99 + S&H (parcel post) from Fox Chapel Publishing, 800-457-9112,
FoxChapelPublishing.com, or your local retailer.

Dave Western is a professional lovespoon carver and the author of two books on carved lovespoons, both available from foxchapelpublishing.com. Dave carves on commission and also teaches classes. For more of his work, visit davidwesternlovespoons.com.

 

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Woodworking Club Reopenings https://woodcarvingillustrated.com/woodworking-clubs-reopening/ Wed, 15 Sep 2021 21:04:46 +0000 https://woodcarvingillustrated.com/?p=20427 Get back to making woodchips with clubs again By Kelly...

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Get back to making woodchips with clubs again

By Kelly Umenhofer

Since early 2020, woodworking groups have had to move their operations online or cancel them completely due to the pandemic. With COVID-19 state restrictions being lifted, many groups began to meet again in person. Here’s a list of clubs and groups that have since reopened their workshops and resumed in-person meetings. Let’s get back to carving with each other!

 

Evans Senior Center (Grove City, Ohio)

The Evans Senior Center reopened on July 6th. Wood carving is among the various creative arts activities offered and taught by a carving professional. Classes are Tuesdays from 9am-3pm. Register for the class at grovecityohio.gov or call 614-277-1060.

 

Northeastern Woodworkers Association (NWA) (Albany, N.Y.)

The NWA shop on Railroad Avenue reopened on April 1st for limited activities. The group sizes are limited to a maximum of 10 members. Masks and social distancing are required at each meeting. For more information on how to join the club and attend upcoming meetings, go to woodworker.org.

 

Pike’s Peak Whittlers (Colorado Springs, Colo.)

The Pike’s Peak Whittlers resumed their monthly meetings on the second Saturday beginning on Saturday, May 8th from 9am-12pm for members. The club also meets informally for members and nonmembers every Wednesday from 9am-1130am. For more information on the club and meetings, visit pikespeakwhittlers.com.

 

Sun City West Woodworking Club (Sun City West, Ariz.)

The Sun City West Woodworking (SCW) Club reopened their shop on July 4th with limited hours. The shop is open from Monday to Friday from 8am-4pm (two shifts of 4-hour sessions per day). Each session is limited to 30 members (not including instructors). No advance signup required for members. All members required to wipe down the equipment after each session. Masks not required but are recommended (masks available for members at shop). Visit scwwoodshop.com to find out more information about club memberships and meetings.

 

Tharp Carving Studio (Berkeley, Calif.)

The Tharp Carving Studio reopened with modified shop policies. Each carving station are six feet apart and tools are wiped down after each carving session. Masks are required. Carvers can make appointments for class sessions such as Introduction to Woodcarving and Intermediate Woodcarving and Sculpture. Appointments also available for morning and afternoon Saturday open studio sessions. For more information about the studio meetings, visit tharpcarvingstudio.com.

 

Tri-Cities Woodcarvers (Kennewick, Wash.)

The Tri-Cities Woodcarvers resumed their carving sessions every Thursday from 130pm-330pm at the Pasco Community Center. For more information on group meetings and membership, email dlbarg53@gmail.com or call 509-430-3778.

 

West Wisconsin Wood Carving Guild (Stevens Point, Wis.)

The West Wisconsin Wood Carving Guild has resumed club carving sessions with the reopening of the LE Phillips Senior Center and the Senior Center in Chippewa Falls. The group meets at the Phillips Senior Center on the 2nd and 4th Wednesdays of each month from 6pm-9pm. The Chippewa Falls Center meets every Thursday afternoon from 1pm-4pm. Those who are not vaccinated are required to wear a mask. The club also teaches mini classes during some group meetings. For more information on the club meetings, visit wwwcg.org.

 

The Woodcarving Club of Sun City Center (Sun City Center, Fla.)

The Woodcarving Club of Sun City Center reopened their shop doors in June 2020 for members with modified policies. Club members are required to wear masks while in the clubroom. All stations limited to one person per workstation and situated six feet apart from other carvers. All tools and stations are disinfected. Nonmembers will be allowed to attend for sessions in the near future. For more information on club meetings and memberships, visit sites.google.com/site/sccwoodcarvers.

 

In addition to clubs reopening, woodworking organizations have also resumed in-person woodworking events. To see a list of upcoming events and shows, go to https://woodcarving.zeeframes.com/calendar-of-events/.

 

 

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Custom-Build a Tilting Carving Table https://woodcarvingillustrated.com/build-tilting-carving-table/ Fri, 28 Feb 2020 18:31:11 +0000 https://woodcarvingillustrated.com/?p=18906 Customize an old shop bench for maximum comfort and efficiency...

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Customize an old shop bench for maximum comfort and efficiency

By Jim Farley 

After moving my carving stand from my workbench for the umpteenth time, I realized I needed a dedicated carving table. I spend a lot of time at my bench and would rather sit and relax while carving than stand on a concrete floor. What evolved was a table that functions as a support for a carving stand or carving arm, and doubles as a tilting relief carving table.

Getting Started

Take the time to determine the optimum height for the table. I’ve included the measurements for mine, however you want to tailor a table to best suit your needs. Sit in the stool you use while carving and have someone measure your typical movements. Once you determine a comfortable working height, design the table to match. If you intend to use the while standing, the top should be slightly higher than your waist.

I built the table base using standard mortise and tenon construction. Mortises can be cut with a mortise machine, mortise drills/chisels in a drill press, a router, or hand chisels. Tenons can be cut with a hand saw, a table saw, a band saw, or a router.

Building Your Table

Create round wooden cams to lock small projects in place if you don’t want to use a standard hold down. To clamp projects to a table, I added a basic shoulder vise. Vises can be difficult to install correctly and if they are not totally square, they are difficult to use.

As an alternative to the should vise, attach a bar clamp to the bottom of the table. Build a box-like stop on the bottom of the table top. Create a hole the same size as the bar in both sides of the box. This box will hold the fixed jaw in place. You may need to cut a groove or slot in the table to accommodate the bar. The sliding bar, complete with hand crank, should extend beyond the side of the table top so you can use the clamp to hold projects tight against a dowel inserted in a hole in the table top.

Use a lap joint to attach the front top rail to the front legs. Round the top of the front bottom rail. Cut mortises in the bottom of the front legs to accommodate the entire front bottom rail. The weight of the table keeps it steady, but the front bottom rail acts as a foot rest, allowing you to transfer some weight to the foot rest. Attach non-skid rubber feet to the bottom of the legs for additional stability.

Cut 1 1/2″ (3.8cm)-long tenons and matching mortises for the remaining rails. The back top rail extends 1 3/4″ (4.4cm) above the top of the base to support the table top when the assembly is flat.

[button link=”https://woodcarving.zeeframes.com/wp-content/uploads/2020/03/Carving-Table-Assembly-Drawing.pdf” bg_color=”#ff0000″]Assembly Drawing[/button]

[button link=”https://woodcarving.zeeframes.com/wp-content/uploads/2020/03/Carving-Table-Top-Assembly.pdf” bg_color=”#ff0000″]Table Top Assembly Drawing[/button]

 

Materials & Tools

 

MATERIALS:

Base

• 4 each 3 1/2″ x 3 1/2″ x 28 1/4″ (9cm x 9cm x 72cm) pine or wood of choice (legs)

• 4 each 1 1/2″ x 3″ x 14″ (4cm x 8cm x 32cm) pine or wood of choie (side rails)

• 1 1/2″ x 3″ x 18″ (4cm x 8cm x 45.7cm) pine or wood of choice (back bottom rail)

• 1 1/2″ x 5″ x 18″ (4cm x 12.7cm x 45.7cm) pine or wood of choice (back top rail)

• 1 1/4″ x 1 1/4″ x 22″ (3cm x 3cm x 55.9cm) pine or wood of choice (front top rail)

• 11/2″ x 1 1/2″ x 18″ (4cm x 4cm x 45.7cm) pine or wood of choice (front bottom rail)

Top

• 1 1/4″ x 19 3/4″ x 22″ (3cm x 50cm x 56cm) hardwood of choice (main board)

• 1 1/4″ x 4″ x 19 3/4″ (3cm x 10cm x 50cm) hardwood of choice (right breadboard edge, wider than left side for optional vise holes and slots)

• 1 1/4″x 3 1/8″ x 19 3/4″(3cm x 8cm x 50cm) hardwood of choice (left breadboard edge)

• 2 each 3/4″ x 2 3/8″ x 26 3/4″ (2cm x 6cm x 68cm) hardwood of choice (adjustable table support rails)

• 4 each 3/8″ (1cm)-diameter threaded inserts

• 1/4″ x 3 3/4″ x 23″ (3.2cm x 9.5cm x 58.4cm) hardwood of choice (front top rail)

• 2 each 3/8″ (1cm)-diameter by 11/2″-long bolts with washers

• Vise kit,  bench screw, or bar clamp

• 2 each 3/8″ (1cm)-diameter adjustable knobs with bolts

• 22″ (50cm) piano hinge and screws

• Wood glue

TOOLS:

• Router with assorted bits

• Saw of choice

• Hand chisels

• Clamps

• Drill with assorted bits


About the Author

Jim Farley and his wife, Simona DeLuca, live in Europe. Jim is an industrial and systems engineer from Toledo, Ohio. He has been working in Europe for the last 20 years. Jim caught the woodcarving bug while living in Italy.


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